Preserving Asian Heritage: An Analysis of Chinese Ivory Masterpieces in the Lahore Museum

Abstract

This paper discusses the evolution, aesthetics and cultural significance of Chinese ivory art in depth by focusing on the Masterpiece Collection displayed at the Lahore Museum. The objective of the study is to analyse how these items represent the synthesis of Buddhist spirituality, Daoist harmony, and Confucian virtues within the larger context of Asian artistic traditions. The study emphasizes how ivory changed from being a sacred substance in ancient dynasties to becoming a key tool for religious and imperial expression during the Ming and Qing eras. The study combines qualitative methodology with art-historical and iconographic analyses, archival research, and comparative examination with collections in Beijing, Canton, and London. Ultimately, it concludes that the Chinese ivory artworks in the Lahore Museum are presents the shared Asian heritage where philosophies, craftmanship and faith blends in a harmonious manner reflecting the refined carving techniques, illustrating designed features and historical importance which is equally prestigious for us as a shared heritage