Unfolding the Opulent Golden Age: Gold in Mughal Miniature Court Paintings in the era of Emperor Shah Jahan (1628-1658)

Authors

  • Samreen Asghar Assistant Professor, Department of Art and Design, COMSATS University Islamabad, Islamabad, Pakistan
  • Aneela Yaseen Assistant Professor, Department of Architecture and Design, COMSATS University Islamabad, Islamabad, Pakistan
  • Hira Nadeem Assistant Professor, Assistant Professor, Department of Art and Design, COMSATS University Islamabad, Islamabad, Pakistan

DOI:

https://doi.org/10.47205/plhr.2023(7-III)39

Keywords:

Extravagant, Gold, Golden Age, Mughal Empire, Mughal Miniature Painting

Abstract

This study explores the extravagant usage of gold in Mughal miniature court painting to depict overgenerous lifestyle of Mughal emperors, especially evaluates the lavish epoch of Shah Jahan. This paper employs descriptive research method to analyze that gold deeply impacted the visual attraction and became symbolic depiction of Mughal art, with a particular emphasis on Shah Jahan's era, often mentioned to as the Golden Age of the Mughal Empire. With the historical imagery references in Mughal miniature paintings, this paper aims to illuminate the various roles that gold has played, such as a symbol of wealth, decoration, and its connection to Mughal traditional art. The conclusion refers that the gold’s enduring symbolism of wealth and power that remains vibrant in contemporary society, preserving its coveted position as a symbol of significance and prestige.

Downloads

Published

2023-09-07

Details

    Abstract Views: 243
    PDF Downloads: 180

How to Cite

Asghar, S., Yaseen, A., & Nadeem, H. (2023). Unfolding the Opulent Golden Age: Gold in Mughal Miniature Court Paintings in the era of Emperor Shah Jahan (1628-1658). Pakistan Languages and Humanities Review, 7(3), 449–460. https://doi.org/10.47205/plhr.2023(7-III)39

Issue

Vol. 7 No. 3 (2023): July to September

Section

Articles

License

ORIENTS SOCIAL RESEARCH CONSULTANCY (OSRC) & PAKISTAN LANGUAGES AND HUMANITIES REVIEW (PLHR) adheres to Creative Commons Attribution-Non Commercial 4.0 International License. The authors submitting and publishing in PLHR agree to the copyright policy under creative common license 4.0 (Attribution-Non Commercial 4.0 International license). Under this license, the authors published in PLHR retain the copyright including publishing rights of their scholarly work and agree to let others remix, tweak, and build upon their work non-commercially. All other authors using the content of PLHR are required to cite author(s) and publisher in their work. Therefore, ORIENTS SOCIAL RESEARCH CONSULTANCY (OSRC) & PAKISTAN LANGUAGES AND HUMANITIES REVIEW (PLHR) follow an Open Access Policy for copyright and licensing.

Creative Commons License

Signatory of DORA